Psycho II


Film | Releasedatum: 01/04/2014 | Film release: 1983 | Medium: CD
 

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# Track   Lengte
1.The Murder (Bernard Herrmann)0:59
2.Psycho II – Main Title1:39
3.The House1:51
4.Mother’s Hand1:54
5.Old Weapons0:41
6.Cheese Sandwich0:31
7.Mother’s Room2:05
8.Out To Lunch2:00
9.No Note1:05
10.The Peep Hole1:47
11.Toomy’s Death1:11
12.Peep Hole #2 (Revised)0:55
13.Mother’s Room #24:28
14.Basement Killing1:18
15.New Furniture0:44
16.It’s Starting Again0:40
17.A Night Cap1:08
18.Blood Bath4:01
19.Don’t Take Me5:39
20.She’s Not Dead1:16
21.Hello Mother2:52
22.The Cellar4:48
23.It’s Not Your Mother5:11
24.Expected Guest2:44
25.Psycho II – End Title (Revised)4:18
 
The Extras
26.Sonata #14 (Moonlight), Op. 27, No. 2 – 1st Mvt (Beethoven)1:51
27.Sonata #8 (Pathetique), Op. 13 – 2nd Mvt (Beethoven)1:04
28.Peep Hole #2 (Original)0:56
29.Mother’s Room #2 (Alternate No. 1)4:28
30.Mother’s Room #2 (Alternate No. 2)4:28
31.Psycho II – End Title (Original Version)4:18
 72:49
Schrijf zelf je recensie

 

Psycho II - 10/10 - Recensie van Sybren van der Schoot, ingevoerd op (Nederlands)
Eindelijk na jaren van wachten is er de zeer complete filmscore van 'Psycho II' uit 1983 van Grand Meister Jerry Goldsmith. Ooit in een slordige korte release op LP en kort op het Varese Sarabande label, mogen we nu genieten van een chronologisch in elkaar gezette score met alle tracks uit de film, inclusief rarities en twee Beethoven excepts die Norman Bates op de piano speelt wanneer hij terugvalt in zijn gespleten persoonlijkheid van 'Moeder'.

De schijf opent met het beroemde 'The Murder' van Bernard Herrmann's originele eerste Psycho uit 1960 en gaat daarna over op het totale uiterste van Goldsmith's ontroerende en dreigende score; melodrama, waanzin en slashende messen-effecten.

De score van 'Psycho II' komt in een fraai doosje met boekwerk, interviews, foto's en men kan zelf kiezen tussen twee frontcovers ( het originele en een vernieuwde cover)

Intrada proudly presents eerie, terrifying original soundtrack by Jerry Goldsmith from Richard Franklin follow-up to famed Alfred Hitchcock thriller about Norman Bates and those twelve vacancies at his Bates Motel. Anthony Perkins, Vera Miles reprise their iconic roles with newcomers Meg Tilly, Dennis Franz adding to suspense, chills. Goldsmith takes sensational approach to horror tale by anchoring entire score not with scary theme but with incredibly gentle, minor key idea that generates significant amount of sympathy for Norman, his attempts to go straight after years in prison. That said, horrific events follow and composer launches riveting action material in kind. Orchestration is unique: requisite strings in tribute to classic Bernard Herrmann original play key role but composer adds array of colors courtesy piano, large woodwind section, synthesizer. Goldsmith tacets all brass save French horns, allowing the expressive instruments to rip, tear and bray through numerous frightening passages. An unusually intense additional color comes from wild 'knife slashes' written into score. With all these sizeable shadings of sound, resulting music ranges from gently beautiful, hauntingly sad to wildly aggressive, strikingly intense. Complete score presented in dynamic stereo courtesy multi-track session masters vaulted in pristine condition at Universal. For original 1982 album, Goldsmith did considerable editing within cues, dropped major sequences entirely to keep duration at a half hour. In some cases he also attached names of certain cues to others instead. Scoring session paperwork and cue sheets allowed us to properly identify everything for the first time. Fun to discover Goldsmith wrote two separate sequences titled Mothers Room, Mother's Room #2 plus two additional alternate versions featuring different bells, chimes, electronic effects within. All four appear on our CD. Also fun to discover haunting End Title was originally scored with striking pizzicato strings that plucked rhythmic accompaniment to introduction of gentle theme. This unused alternate also appears on our CD in 'extras' section. Goldsmith also recorded two Beethoven piano excerpts at his sessions to be heard as Bates plays piano onscreen. Both also appear as extras, as does alternate version of Peep Hole #2 . Highlights of new music are many but deserving spotlight are intense Toomy's Death , stark two-part voicings of French horns during Expected Guest . Flipper cover allows listeners to select new artwork or original MCA album cover. Jerry Goldsmith conducts.

Andere soundtrack releases van Psycho II (1983):

Psycho II (1983)


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